By the time Christopher Nolan signed up to direct Interstellar and started rewriting its script, astrophysicist Kip Thorne had been working with Nolan's brother, Jonathan (who goes by Jonah), on getting his ideas onto film for years. When Chris and Thorne met, they quickly found common ground: Thorne wanted science in the story, and Nolan wanted the story to emerge from science. So in Interstellar, time dilation—the passing of time at different rates for different observers—became an emotional obstacle between a father and his daughter. Quantum gravity, the reconciliation of relativity and quantum mechanics, became the plot's central mystery. The visual effects team even collaborated with Thorne to make sure their depictions of a black hole were accurate as well as elegant.
The post Interstellar Almost Had 6 Wormholes and 5 Black Holes appeared first on WIRED.
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