In one room, a shirtless, redheaded boy is about to drive his sword through the stomach of a child on a snowcapped mountain. In another, statuesque models lounge on a digital beach as a hurricane of golf balls storms overhead. Down the hall, a black reverend is reading the bible on the back of a centaur in an airport, waiting for a plane that’s buried in snow.
As visitors to this museum in Switzerland shuffle from one space to the next, Tatiana Arzamasova looks on with regal dispassion, her...
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